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Some Facts:
As a songwriter, Berry Gordy had his first hit in 1957 with Reet Petite, sung by Jackie Wilson. Gordy quit his car factory job in the same year and went on to launch the independent Tamla Record Company on 12 January 1959, using a family loan of $800.
The original name for the Tamla label was "Tammy," after the Debbie Reynolds song, but it was taken
Motown, a blend of the words "motor" and "town", is also a nickname for Detroit - the label's original base and the historic home of the US car industry. Its original "Hitsville USA" headquarters in the city - which opened in January 1960 - housed the label's recording studio and offices.
Marv Johnson's song Come To Me was the label's first release, issued as Tamla 101.
The Marvelettes' Please Mister Postman was Motown's first US number one. Released in August 1961, it took 14 weeks to reach the top of the chart. (Also covered by the Beatles and was taken back to the US top spot by The Carpenters in 1974).
"Little Stevie Wonder" signed to Motown in 1961 and has been with the label ever since. He came into his own in the 1970s recording classic albums such as Talking Book and Songs in the Key of Life. His 1984 song I Just Called To Say I Love You is Motown's biggest-selling single.
The Beatles recorded three Motown songs on their 2nd album, Please Mister Postman, You’ve Really Got A Hold On Me and Money, (That’s What I want).
Martha And The Vandellas version of Dancing In The Street was recorded live in two takes. The first take was missed after the studio engineer forgot to turn the tape on. The song was original offered to Marvin Gaye who also has a writing credit on the song.
Marvin Gaye sang background on records by Chuck Berry and Etta James, was a member of The Moonglows and worked as a session drummer (he played on The Marvelettes' 1961 hit, "Please Mr. Postman" and Little Stevie Wonder's live version of 1963 hit, "Fingertips Pt. 2").
The Funk Brothers were the musicians who provided the backing on most Motown records between 1959 and 1972. It’s claimed they have played on more number one hits than Elvis, The Beach Boys, The Rolling Stones and The Beatles combined.
“I Heard It Through The Grapevine” written by Motown writers Norman Whitfield and Barrett Strong with backing played by the Funk Brothers - was a number one for Marvin Gaye in the US and the UK in 1968 and became Motown's biggest-selling record.
difficult choice that been some great artists on motown, some even better on "Stax" etc will have to give serious thought to this, think the choice on site is a bit limited. the "Four Tops" springs to mind should not be omitted from it.
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N.L.T.B.G.Y.D. Do not argue with an idiot, they will drag you down to their level and beat you with experience.
Couldn't put my finger on one artist. For me Motown is more about great records than great artistes, as the best songs were recorded several times by the top artists of the day. Grapevine, etc.
I think that Marvin Gaye took some beating, but I also like Stevie Wonder, he's still a class act today, and on the group side for me definitely the Four Tops
Jimmy Ruffin was my favourite Motown artist, "Farewell Is A Lonely Sound" that IS a classic record in my humble opinion, closely followed by Marvin Gaye's "I Heard It Through The Grapevine".
Impossible to say who the best Motown artist was, but think its fair to say the label would never have grown as big as it did without the songwriting team of Holland-Dozier-Holland providing many of the songs
Got to admit, my choices would certainly be very much in a minority...The Contours (who recorded the original version of "Do You Love Me?". later covered by the Dave Clark 5 and Brian Poole & The Tremeloes, over here)...Mable John (only artist, I think, to record for both Motown and Stax)...and Junior Walker & The All-Stars, who managed to combine the 50's sax-honking sound with the 60's Holland-Dozier-Holland sound...the bluesy, rootsy side of Motown.
Jimmy Ruffin was my favourite Motown artist, "Farewell Is A Lonely Sound" that IS a classic record in my humble opinion, closely followed by Marvin Gaye's "I Heard It Through The Grapevine".
Saw Jimmy Ruffin at the Cav in the 70's had a chat with him back stage, a real laid back bloke, think my favourite song of his was What Becomes of the Broken Hearted
I go with Wynonie on this with the addition of Edwin Starr,and the Isley Brothers, good versions of How Sweet it is, Put yourself in my Place, and the Originals. But Smokey & the Temps, and Supremes, got all the limelight.
I go with Wynonie on this with the addition of Edwin Starr,and the Isley Brothers, good versions of How Sweet it is, Put yourself in my Place, and the Originals. But Smokey & the Temps, and Supremes, got all the limelight.
Some good choices there, Al, especially Edwin Starr, who was probably more popular in the UK than he was in his home country. Once saw him at an all-nighter in Stoke-on-Trent. He was performing with backing tapes, but the machine broke down. He then sang acapella for an hour and kept the audience totally enthralled. How many of today's artistes could do that?
Some good choices there, Al, especially Edwin Starr, who was probably more popular in the UK than he was in his home country. Once saw him at an all-nighter in Stoke-on-Trent. He was performing with backing tapes, but the machine broke down. He then sang acapella for an hour and kept the audience totally enthralled. How many of today's artistes could do that?
I don't know how many of today's artists could do it .... it seems as if anyone with a gimmick and thousands of dollars of sound equipment can become a "star". When I think of a powerful voice, one that was beautiful unadorned, the late Mahalia Jackson comes to mind ... maybe in "gospel" one could find some ... and then, there are always singers like k. d. lang.
Whose version of Leonard Cohen's 'Hallelujah' knocks spots off the recent no.1 by the 'X-Factor' winner.
Have A listen:
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